Freya Marske and Celia Lake have both written novels about magical societies existing in secret, parallel to the non-magical world, set in Edwardian England. I asked them to chat with me, and each other, about their choices regarding magic systems, Edwardian England, and other aspects of their novels…

SI: The Last Binding trilogy, and some of the Albion books, are set in versions of Edwardian England. What is it about that time and that place that attracted you? 

Freya: I have a few answers to this, ranging from frivolous to serious.

I’m off the monorail and through streets littered with cigarette packets and strips of last month’s posters, peeled from the yellow and grey chipped walls. The air smells of rubbish and urine. A breeze would only blow the odour away fora moment; I’m in the City.

Genie and I moved into the place temporarily, with the hope of shifting farther out a few months later, where there might be a park for Max to play in, neighbours to help out, a house with a separate dining room and kitchen. Genie remained after I moved out, so every now and then I’m back in the old neighbourhood, with light rain misting through the little inner-city streets, trying not to look past the pavement in front of me in case I see one of the real things that happen here.

A shuttle slashes the sky overhead, taking someone rich to meet other rich people somewhere else. They don’t bother with travelling by land – easier to skip over the city like a stone over water. The deep red of the shuttle’sburners gives the illusion of warmth.